Showing posts with label MS. Show all posts
Showing posts with label MS. Show all posts

Saturday 21 September 2013

Bits and pieces

More views of or before Cambridge Film Festival 2013
(Click here to go directly to the Festival web-site)


21 September (Revisited, 5 August 2015)

In the introduction, we were told that this feature, Pieces of Me (Des Morceaux de Moi) (2012) said a lot in ninety minutes, but I found myself ending up quite bored with it not that I did not have sympathy with one sibling being treated worse than another, but I found the central character Erell (Adèle Exarchopoulos), even given her age (one guesses fourteen ?), irritating with her incessant videoing, and could not credit that more than one of her friends would not have told her to stop doing it long before. (Maybe it was meant to be set a few years back, but no youngster would use one of those monsters with a flip-down screen now.)

The video footage itself I found inconsistent, because some of it obviously was of a quality that matched the hardly new camera that Erell was using, and others seemed to have been shot with a decent lens and then, as if to pretend that she had taken it, degraded afterwards. If she really had not been filming her friends for long, it was remarkable how much she was allowed to put them on the spot, challenging the notion of what one would do if he did not, as he expected, die young, or another (who did actually tell her where to get off) as to why he would not kill a man, if asked to do so, given that he was willing to kill a chicken on request.

I had not been very impressed by the opening shot to self-camera, where she had envisaged her request being carried out to be cremated and then her ashes mixed well into a large bottle of vodka and drunk. A toxic drink that, perhaps, her family choked on with regularity, as she seemed to have nothing but accusations for them, and to be the tomboy when not behind the camera for her friends. As such a portrayal, it was classic, but the piece itself did not have many filmic credentials, apart from a few choice shots of flora and fauna.

I say nothing about a daughter’s feelings towards a mother with MS. Only that the former is supposed to be partly confused why the latter needs care (and, more importantly, whether she is not shamming), whereas regular trips to the hospital are not with what one understands to be a typical course for the condition cohesive with such early stages : the admission that we see seems to necessitate walking with a stick, when all that had been complained of before was fatigue. There was nothing, say, to suggest problems with motor control or balance. These things are queried from knowing what one has witnessed in others, but being open to hearing that The MS Society compliments this depiction. (Compare it with that of Martina Gedeck in Atomised (2006), who also has a degenerative condition ?)

The film is competent, but, other than much recrimination about why Sarah has been favoured over Erell, and left without any contact (such that her father had to be called to see whether he could identify a body as hers), and the associated rebelliousness of youth, it has relatively little to say : this is one of the rare occasions where watching a film on a t.v. screen would not have depreciated it at all.




Unless stated otherwise, all films reviewed were screened at Festival Central (Arts Picturehouse, Cambridge)

Friday 23 November 2012

Do I self-classify, or do others, sometimes more importantly, label me ?

More views of - or before - Cambridge Film Festival 2012
(Click here to go directly to the Festival web-site)


24 November








So, taking up that idea of self-classification, what about where someone else doesn't let me be what I choose or am ? :

1. I am descended from a couple who immigrated from Trinidad and Tobago at a time when the UK encouraged them to come here (albeit to drive buses or collect fares on them), but they were my grandparents, my parents were born here, and so was I. Yet those who stir up hatred and talk about 'repatriation' try to deny me two things: being - whatever that is - as British as they are, and relatedly the fact that this is my home country and culture, too.

2. I have a mental-health condition. Let's say that it's unipolar depression, and so I am prone to my mood going low, or that I have other conditions that fluctuate and which, when they are at their worst, mean that, if I can function at all, I can barely do so. If I have, before I learnt by experience, shared that I have such a condition, people may not actually say 'But there's nothing wrong with you', but you can see it in their face, in their eyes, because they see you when you are functioning. Worse, they are people with power to see you when you cannot function, and who think that you aren't trying, are pretending. And the same can be the experience of those with Multiple Sclerosis (MS), who can be taken for being drunk (so hurtfully) when there is lack of balance or control.

3. I identify as being female, and dress accordingly, but do not want to change my physical gender. Often enough, without reference to me, I'd be called a man in a dress, and people would make all sorts of assumptions.

4. In my local supermarket, in the throng around the reduced items, a female member of staff is talking loudly to her colleagues, saying 'All men always...'. By being a man, I am included in her extreme generalization, because:

All men always do X
I am a man

Therefore I always do X


And that is the pattern for much of this - lumping people into together because of one characteristic that they may (or are assumed) to share, and ascribing to them all (or most of them) some behaviour or other characteristic, ignoring who they are, or what they have to say about it: all benefit claimants are scroungers, for example...